This mosaic follows many of the Metropolitan Museum of Art rules. There is a focus on human figures, the angels. While they are not in frontal view, they are turned in meaningful gesture towards each other. One does not see the feet as they are sitting down around a table. All of the items on and around the table are symbolic to the life of Christ. The tallest angel is overlapped by the other two but I believe it is the most important. There are three angels so they may represent the trinity. The tall purple angel is the Father because he is the tallest and carries a staff. Purple is the color of royalty. Overlapping the purple angel is a green angel. He is the Son. I think this because in icons I have seen of Jesus he has the same hand gestures. The blue angel is the Holy Spirit. His hand is at his heart signifying that God comes from within.
The mosaic is a balanced composition. There are three angels with two on either side of a taller one. Two pedestals rest on each side of the table. The art itself is linear not done by shading but with strips of color. You can see this especially in the folds of the robe. However, there is a natural setting, Instead of plain background color there are buildings and a curtain. Strong brilliant colors characterize this mosaic but there are no patterns. There is no real action in the mosaic. It seems like the angels are just having a conversation.
While this mosaic does not have all of the typical characteristics of Byzantine art it is a very good example. It is symbolic and the message is quite clear. Overlapping and size importance is visible. Overall, I really enjoyed this experience.
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